Modal Argon 8 - 8m - 8x Bundle Oxygen + Wave Scopes 129 presets

video upload by LFOstore

"Modal Electronics Argon8, Argon8M or Argon8X available the bundle 'Oxygen' + 'Wave Scopes' 129 sounds !

Buy: https://kav-sound-explorer.sellfy.sto...

'Oxygen' Soundbank 64 patchesExpand your sound library with a blend of classic synthesizer tones and psychedelic textures from wavetable synthesis with our latest set.
Inside this comprehensive soundset, you'll discover a range of meticulously crafted sounds, including:

Atmospheres to create immersive sonic environments
Lush Pads for ethereal melodies
Rhythmic Sequences to drive your compositions forward
Soundtrack elements for cinematic flair
Ambient Sound Effects for atmospheric enhancements
Intricate Textures for detailed sonic landscapes

The Modal Electronics Argon series of synthesizers embodies innovation and sonic excellence, offering musicians a powerful toolset for sound design and performance. These instruments deliver exceptional wavetable synthesis capabilities, intuitive interfaces, and a wide range of modulation options, making them ideal for creating everything from lush pads to cutting-edge leads.

'Wave Scopes' soundset offers 65 meticulously crafted patches, featuring an exquisite selection of Arpeggios, Sequences, Evolving Pads, Rhythmic Sequences, Soundtracks, Ambient textures, and SFX Atmospheres. These patches utilize the precisely programmed modulation matrix to allow sounds to evolve and develop in mesmerizing ways. 'Wave Scopes' takes full advantage of all the new features introduced in OS 3.2, ensuring a cutting-edge and immersive sonic experience.

The demo tune was recorded in real-time and does not include any external effects.

Made by Alexander Kav."

Baby Audio ATOMS -Unusual Physical Modelling Synth - Sonic LAB Review

video upload by sonicstate

"We take a look at the brand new Baby Audio ATOMS - a physical modeling synth based on the Mass-Spring concept.
At a basic level: The specific physical model has been turned into an instrument by Silvin Willemsen and Baby Audio. There are masses (usually balls) connected by springs (virtually of course). These are excited by a bowing action and so the masses move and the springs react.

In its simplest form these are sine waves, but with additional parameters thrown in the algorithm they become more complex.

Weird, yes and sonically pretty pleasing when process by the rest of the ATOMS voice architecture - namely, a filter and a reverberator.

What you'll find are atmospheric, organic and certainly unusual sounds that share a common ground. Its an early release, with a couple of missing things - MIDI mapping for instance, but these we suspect will soon be added.

Available now priced at $59 intro offer from https://babyaud.io/atoms"

Sound Examples - Atoms - Baby Audio

video upload by Baby Audio

"Atoms is a physical modeling synthesizer plugin by Baby Audio. In this video you'll hear sound examples of some of the plugin's 250 factory presets.

Get Atoms – Free Trial available: https://babyaud.io/atoms

00:00 Plucks
01:34 Keys
03:37 Pads
06:34 Pulsing
08:13 Leads
09:31 Bass
10:53 Atmospheres"



"Synthesis from the other side
Atoms is a new kind of synth plugin that uses cutting edge physical modeling to generate an endless variety of organic and otherworldly sounds. Use it to build rich and alive textures the world hasn’t heard before.

COMPLEX PHYSICS IN A SIMPLE PACKAGE
Physical modeling simulates the behavior of real life instruments. But Atoms takes you beyond what’s possible in the natural world. Its features are deep enough to explore the outer bounds of sound design, yet so simple that you can easily mangle, shape and create.

Atoms is powered by a simulation of interconnected masses and springs with tweakable properties and dimensions. The model is triggered by a virtual bowing action that excites the system and makes it vibrate to generate sound.

A LIVING ORGANISM
Nothing in the natural world is ever truly static. Physical modeling mimics this by generating sounds with the same organic fluctuations as acoustic instruments.

Atoms takes it even further. Its six main parameters can be automated with a selection of powerful motion options to add extra life. This lets you create soundscapes that are constantly shifting and re-generating, like a natural organism.

If you’re used to working with sample libraries, Atoms will bring a new level of otherworldly realism into your tracks.

PROGRAM NEW PATCHES WITH A CLICK
Atoms comes equipped with a powerful randomization engine. It’s a musically calibrated algorithm that selectively adjusts each parameter based on its relationship to the others, giving you usable patches with every roll of the dice.

You can narrow the algorithm further by limiting the random ranges for any knob or locking parameters from changing.

Finally, the Recycle button is a second randomizer that will create new patches similar to the current patch. Once you have a sound you like, click recycle to explore related options.

PHYSICALLY MODELED EFFECTS
The bottom panel gives you a range of creative effects to further sculpt your sound. You can also choose between four sonic profiles, each offering a different structure of the mass-spring network simulation.

With the exception of Space (reverb), all effects in the bottom panel are created inside the physical model itself. This gives you a range of unique modulation effects that are an inherent part of the physical model and sound more natural than any separate FX chain ever would."

Cherry Audio Introduces Virtual CR-78 Drum Machine

video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth



via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

ContinuuCon Electronic Music Conference Tickets on Sale

Details follow: "Preparations are well underway for ContinuuCon 2024, the sixth international Haken Continuum conference, scheduled for April 26–28 in the Pittsburgh suburb of Carnegie, Pennsylvania. Anyone who plays, aspires to play, or wants to learn more about the Haken Continuum Fingerboard, ContinuuMini, or EaganMatrix Eurorack module—as well as the Expressive E Osmose synthesizer, which also incorporates the EaganMatrix sound engine—is welcome to attend.

ContinuuCon 2024 tickets are now on sale on Eventbrite. Purchasing a ticket by March 25 entitles you to a $50 discount, with conference tickets priced at $280 until that date and $320 after. A ticket allows entry to all conference events, including the opening night reception and two full days of presentations, workshops, and demonstrations. Tickets also include two catered lunches.

Previous ContinuuCons were held in France, Portugal, and North Carolina. This year’s conference will be held at the Andrew Carnegie Free Library & Music Hall. For more information and to view videos of past events, visit continuucon.com. Purchase tickets at eventbrite.com/e/continuucon-2024-tickets-829395021837.

Call for Presentations
In addition to Lippold Haken, inventor of the Continuum Fingerboard and ContinuuMini, scheduled presenters include Edmund Eagan and Christophe Duquesne, developers of the onboard synthesis engine the EaganMatrix. If you have an idea for a presentation, please submit an informal proposal to continuucon@continuucon.com as soon as you can. Presentations that incorporate some performance aspect are preferred. Presentations should be 30, 45, or 60 minutes in length. Applications can no longer be accepted after the available slots have been assigned. Please note that sales presentations will not be accepted.

About Haken Audio’s Instruments
The Continuum Fingerboard is a touch-sensitive, polyphonic electronic instrument that offers continuous multidimensional performance control by responding to each finger independently. The ContinuuMini is a smaller, more affordable duotactic model based on the same technology. Inside either is the EaganMatrix, a cutting-edge, user-programmable, digital modular synthesizer taking full advantage of the supple playing surface’s myriad performance possibilities. For Eurorack users, the EaganMatrix Module is a modular gateway to new musical explorations."

Exploring the 1st Buchla 100 Modular Synthesizer

video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

EMS Rehberg Logik Analog Synthesizer (Designed By EMS England)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pic of the inside below.

"This edition is rare, and cannot be found anywhere as a set. Made by EMS London, and works differently than the Synthi A, although it appears to be the same. Here is a breakdown of what you get below:

In addition to the power supply, new patch cables as well as the original patch cables (standard mini jack), the lid of the "suitcase synthesis" and the original manual (or textbook) are included.

The modules of the EMS Synthis work perfectly, the overall sound and especially the filter sound very high-quality.

VCO – Voltage Controlled Oscillator • with the vibration forms sine, sawtooth, triangle and rectangle with external control voltage input for pulse width modulation • VCF – Voltage Controlled Filter • Multimode filter with 12 dB slope, low-pass, high-pass, band-pass and phaser • LFO – Low Frequency Oscillator • with the vibration forms sine and rectangle • SRG – Slow Ramp Generator •

with
the vibration form sawtooth • NG
– Noise Generator •
the noise generator offers white
noise • EG –
Envelope Generator (Envelope
Shaper)
• A-D-S-R • RM
– Ring Modulator • INV – Inverter • SL – Slew Limiter (Portamento) • EF – Envelope
Follower • External Audio
Input • Output/Mix
• Control Inputs"

CLICK FOR MORE »

ELKA EK-44 + Full Expansion Set (5 Cards)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Superb ELKA EK-44 in near mint conditions. The synth comes with all the 5 expansion cartridge featuring 32 patches each, for a total of 224 sounds (including the 64 internal ones). Here you will get 5 ROM card (expansions 1->4) and 1 RAM card (expansion 5). The machine is in perfect working conditions and just looks great. Professional packing and UPS Express Saver shipping guarantee.

History

The 80s saw Yamaha dominate the synthesizer industry with its groundbreaking FM synthesis. The release of the DX7 in 1983 caused a deep crisis for manufacturers specialized in analog synthesizers. Yamaha not only patented the new synthesis model but also produced cost-effective and reliable chips for digital sound generation making these new keyboards more powerful and reliable, more cost-effective and easily industrialized. The blow to Italian companies was severe, even for those that had long invested and innovated by introducing digital systems into their projects. They faced significant challenges because the 'core' of their equipment remained anchored to traditional analog generation, which was no longer competitive.

Italian FM

But some companies, despite suffering a setback, managed to reorganize and respond with some interesting proposals after a few years of hardship. Specifically, ELKA, the company that designed and marketed the glorious ELKA SYNTEX just a few years earlier, successfully acquired a series of ICs capable of generating sounds and waveforms using FM technology. With these components, ELKA created a range of highly interesting products for that era. Although the chips used (the YM2203) were manufactured by Yamaha and primarily intended for the video game and arcade console sector, ELKA's creative engineers successfully integrated them into their musical instruments, creating a new FM product line.

EK-44 : The flagship FM Synth

The top-of-the-line synthesizer created with these new chips was the EK-44, a multi-timbral 4-OP FM synthesizer with 18 voices of polyphony and 8 oscillators. Inside, it houses two identical sound generators named DCG1 and DCG2, each employing 6 YM2203 chips (4 operators with 8 different FM algorithms), making it capable of generating multiple sounds simultaneously — a remarkable feat for its time. The 2 voice processors can be split, layered or played as 8 independent parts with own Midi channels and mix volume.

Usability

The EK-44 operates in a similar manner to the Yamaha DX7, except that the its LCD display is a little more informative, although some information (the equivalent of the DX7's algorithm charts) is hidden from the user so you don't have to worry about it. So, when we go through the basic parameters, keep in mind that most of them are represented in the LCD display by an eight-section bar chart. Whether we're talking about oscillator volumes, frequencies, envelope levels or whatever, eight little columns in the display give you a good visual indication of the current state of affairs, while the first eight of the sixteen Performance Registration buttons directly beneath the display allow you to choose which of the available levels you're editing.

CLICK FOR MORE »

Sampling the Intellivoice Voice Synthesis Module (Intellivision Chiptune) | Simon Hutchinson

video upload by Simon Hutchinson

"By request, I’m posting a free sample pack of recordings from the Intellivoice Voice Synthesis Module, including a simple Kontakt instrument that plays back these files.

Years ago, I made a synth using an arduino and a chip from an Intellivoice. Recently, I went into the closet and dug it out, and, following a couple repairs, recorded some samples for folks that are interested.

Get the sample pack: https://simonhutchinson.com/2023/12/1...

The original Intellivoice Synth Video:"

Mattel Intellivoice Synth | Simon Hutchinson
video upload by Simon Hutchinson

"Demonstrating a synthesizer built from a chip from an old Intellivoice module (and played back inside the original case), MIDI-controlled through a keyboard or DAW.

Why? Games and gaming hardware are mass-produced devices with planned obsolescence and few serviceable parts. By "hacking" and customizing gaming hardware we regain personal ownership of these devices, and we can turn obsolete equipment into performable, expressive instruments."

Brainwave Music with Buchla 200 at Western Front

The following was sent in by Anastasia Chernysheva, a Ph.D. student at University of Illinois Urbana-Champaign.

"On February 28, 1977, On Being Invisible (OBI) premiered in Vancouver, at the Western Front. Stills from the black and white video capture David Rosenboom playing a touch-sensitive keyboard of Buchla 200 “Electric Music Box” and improvising in real-time with his brainwaves. The EEG output (electrical activity in the brain) was sonified by a hybrid computer sound synthesis system. Having years of biofeedback practice behind him, in this piece the pioneer of brainwave music continued exploring ways to relate information processing in the human nervous system to aesthetic experience – thus, stretching the definition of music musical performance.

Invited by the Canadian electronic music pioneer Martin Bartlett, Rosenboom gave a concert in two parts. The part presented the live performance application of the EEG system described above. In the second part of the performance, the composer used his voice, finger cymbals, a monkey drum, and a reed instrument to activate the software. A recording of the concert has been released for the first time by Black Truffle Records on the double-vinyl called “Brainwave Music” (1975/2019).
Videos from the concert can be watched on Rosenboom’s YouTube channel (see Part 1 and Part 2). Courtesy of the Western Front.

On Being Invisible was originally planned to premier at the Music Gallery in Toronto in 1976. However, due to an electricity outage that led to computer failure, the concert had to be canceled, while the audience was already gathered at the front door. Since the organizers had prepared beer for attendees, those waiting were invited inside. Once in, people gathered around the nonfunctioning set of equipment, looking at it with sad faces, as if they had come for a funeral. (see the photo below)

After rebuilding the equipment, Rosenboom performed the piece at the Music Gallery in 1977. This performance was published as vinyl by Music Gallery Editions and later re-released on CD by Pogus Productions.

* Technique of intentional modification of physiological parameters, such as heart rate, body temperature, breathing, etc.

Sources:
• Rosenboom, D. (Ed.) (1975) Biofeedback and the Arts: Results of Early Experiments. Aesthetic Research Centre of Canada Publications, Vancouver.
• Rosenboom, D. (1977a). On being invisible. Music Gallery Editions.
• Rosenboom, D. (1984). On Being Invisible. MusicWorks 28 (Summer), p. 10-13."


On Being Invisible, David Rosenboom at Western Front, Vancouver, 1977, Part 1 video upload by David Rosenboom

"David Rosenboom, On Being Invisible (1977), video documentation. Courtesy of Western Front. ID# WFVDN_7702_03-1 & ID# WFVDN_7702_03-2."

And the release on bandcamp:

Introducing Basimilus Iteritas, Manis Iteritas, and Debel Iteritas on Alia oscillator platform

video upload by Noise Engineering

"Unlock the full potential of your Alia with alternate firmware, resources, and more.

Check out the World of Alia, our new oscillator platform here: https://bit.ly/497xrsk

Alia is a 10HP oscillator platform and is the new home for your favorite Noise Engineering sounds, both classic and new. Turn your module into Basimilus Iteritas, our legendary percussive powerhouse; Manis Iteritas, a dark industrial techno machine; or Debel Iteritas, an additive PM voice inspired by yesteryear, or maybe even something completely different as new firmwares are released.

Firmware is always free for Alia owners, so swap out your sound whenever you need a new vibe. Alia has something for everyone."

Press release follows:

"Noise Engineering debuts Alia, bringing Basimilus, Manis, and all-new Debel voices to a swappable oscillator platform

Los Angeles, CA — Digital-forward modular synthesizer company Noise Engineering has announced Alia, a new 10HP oscillator platform module. With Alia, the team brings back Basimilus and Manis, two of their beloved synth voices. Alia also launched with a whole new synth voice, Debel Iteritas Alia, a unique hybrid take on phase modulation and additive synthesis.

The previous incarnation of the Iteritas modules was discontinued a few months ago when the processor it was built on was end-of-lifed. “We lived in fear of that development for years, but we didn’t have a viable alternative. We had been thinking about a way off of that processor for some time, but when the part was EOLed, we got motivated. It was a long time before we were confident we could make it work, though,” said Kris Kaiser, Doer of Many Things at Noise Engineering.

The revamped Basimilus Iteritas Alia and Manis Iteritas Alia have a near identical sound to the originals, and a few added features. “When we had to discontinue the BIA and the Manis, quite a few customers reached out asking us to bring them back,” says Markus Cancilla, Noise Engineering’s Chief of Destruction. “The new Alia platform allowed us to bring back our old favorites with a few improvements, and experiment with entirely new concepts, too.”

The platform concept will be a familiar feature to Noise Engineering’s customers. The Versio lineup introduced the idea of swappable firmware to the Noise Engineering ecosystem in 2020, and now has 9 different FX firmwares now available for the platform. Legio followed as a smaller platform in 6HP now with four firmwares. Alia follows suit, launching with three firmwares available and even more on the way, according to NE. As with the existing Versio and Legio platforms, firmware is free for Alia owners and swappable at any time from their Customer Portal. The team expects to offer hot swappable overlays for the different Alia firmwares in the near future.

Along with the return of the BIA and the Manis, the Debel Iteritas Alia is a completely new synth voice based around an additive phase-modulation architecture. Debel continues Noise

Engineering’s reputation for putting a huge amount of timbral range behind a small number of parameters, and bringing new ideas in synthesis to an easy-to-navigate interface. It uses a few different configurations of four-operator PM with each operator comprising four oscillators. Traditional FM sounds are easy to create, but can be instantly brought into entirely new territory with the tweak of a parameter or some external CV. Also in line with Noise Engineering’s ethos of not taking themselves too seriously, Debel features Taco, Nacho, and Diablo modes. “The name and the panel have about a million inside jokes. We had a lot of fun with this firmware,” said Stephen McCaul, Chief Noisemaker.

All three firmwares are available as paneled modules. Basimilus Iteritas Alia, Manis Iteritas Alia, and Debel Iteritas Alia are available for preorder now at https://noiseengineering.us and at retailers globally, shipping October 26, 2023.

Availability and pricing:

In stock in black and silver. Shipping from Noise Engineering and retailers starting October 26th, 2023; MSRP US$385

https://bit.ly/497xrsk

CLICK FOR MORE »

The Blue Marble Synthesizer Project Plans to Put a Music Synthesizer Controller in Space

video upload by Physical Synthesis

Blue Marble Synthesizer Project: Andrew Huang


Physical Synthesis, the makers of Cicada, wrote in to let us know of a new project soon to be seeking funding on Kickstarter.

I asked them what the platform would be based on. They replied:

"The web-based interface will be an adapted version of Patatap to which we’ll add a video feed and other interactions that will be possible to trigger inside the space capsule (i,e agitate the marble by turning on a fan, LED array, microphone, speaker, etc).

The space capsule has a set of different elements that allows to change the position of the physical marble floating inside the zero-gravity chamber (a set of sensors that calculates the position, a fan that agitates the position of the marble, a microphone that records those interactions, etc). All that data is then being sent back to us on earth (or in reverse sent to the capsule from earth using the Live mode). In other words, the web-interface receives data/interactions from the capsule and the Live mode allows to send data/interactions directly to the capsule. Lastly we’re building a VST plug-in allowing to receive MIDI and hook up data directly into your DAW or other synth."

In short the interactive hardware controller w/ microphone to capture audio is in space, while the synth engine and processing is done on earth.

Addtional details from the Kickstarter/Press Release follows.



The Blue Marble Synthesizer is the first-ever music synthesizer that can only work in space and that is playable from here on earth. It’s a synthesizer for making music and experimenting with sound. The system consists of a pressurized capsule in a low earth orbit satellite, a network of sensors, and a web-based interface for people to play with here on earth.

1. The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. It measures the behavior of a marble floating in a zero gravity synth capsule and sends sensor data, audio feed, and video feed back to us on earth.

2. The Web-Based Interface is an interactive and self-contained web audio synthesizer designed for everyone. Through a collaboration with the creator of Patatap, this application blends interactions from the Blue marble Synthesizer Capsule data with a traditional interactive music synthesizer. This web-based interface is a way to explore the interactions between the Blue Marble Synthesizer Capsule and people’s own musical creativity.

● When does the space mission start?
The Kickstarter campaign is set to start on Wednesday, October 4 for 30 days until the rocket launch which is set for Wednesday November 1 aboard the SpaceX Falcon 9 Rocket. Once in orbit, the Blue Marble Synthesizer Space Capsule will be rotating around earth every 90 minutes.

● Why does this project matter?
The Blue Marble Synth Project is intended for all those who share a passion for space, music, and the intersection of science and art. Music has always been a universal language that transcends cultural barriers, connecting people on a deeply emotional level. By introducing a music synthesizer to space, we expand the horizons of artistic expression and create a new dimension for human creative endeavors off-planet.

● What is the experience like for supporters?

1. Two primary ways: people will have the chance to make music with the audio and the data captured by the Blue Marble Synthesizer in two primary ways: through an interactive web-interface or via a VST-plug-in. Some supporters may also have the chance to play and interact with the system directly in space.

2. The Blue Marble Web-Interface: is a self-contained web based application that works from here on Earth. Inspired by Patatap, this application blends interactions from the Blue Marble Synth Capsule Data with a traditional interactive music synthesizer.

3. The Blue Marble VST Plug in: this feature allows to receive MIDI and control data from the Blue Marble Synth Capsule to use with other digital synthesizers and digital audio workstations such as Ableton LIVE, FL Studio, Presonus Studio 1, etc.

● Who are the artists involved?
Andrew Huang, Benn Jordan, Trovarsi, and MAYSUN, are invited artists who will compose original music with the Blue Marble Synthesizer during this orbital mission. They each possess the adventurer's spirit that we believe is at the heart of this project.

Andrew Huang
We are thrilled to have Andrew Huang, the YouTube phenom and Toronto-based artist join the Blue Marble Synth Project. As a highly acclaimed music and video producer, Andrew's unique ability to seamlessly blend diverse musical styles with captivating visuals aligns perfectly with the innovative vision we seek to bring to life. His creativity, coupled with his commitment to pushing artistic boundaries, makes him an invaluable addition to this project

These 4 artists will compose original music using the Blue Marble Synthesizer and the resulting tracks will be released for project supporters on an exclusive LP post-mission.

● What else can supporters get by supporting?
Beyond accessing the Web-Based interface and Artist Album, supporters also get access to a range of branded Blue Marble Synthesizer merchandise designed by Physical Synthesis. The collection features a sticker and mission patch, hoodie, t-shirt, cap, tote bag, and more.

● What goes inside the Blue Marble Synthesizer? Technical Breakdown
The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. The module allows supporters to receive data so they can control other synths and interfaces as well as initiate actions that affect what happens inside the capsule

1. Zero Gravity Dynamics: to make the Blue Marble Synthesizer an instrument that can truly work in space, it requires harnessing the power of zero-gravity. To do this, the synthesizer relies on interactions between a spherical piece of glass – the blue marble – and an array of accurate laser sensors that measure the distance and location of the marble as it floats around a small pressurized chamber.

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Ensoniq ESQ-M Digital Wave Synthesizer Rack Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"This is the rack mount version of the iconic ESQ-1 digital wave synthesizer from Ensoniq. (The ESQ-M is identical in synthesis functions but does not include a sequencer.)

In working condition (see tests, below). Used in a home studio setting (non-smoking), never toured.

Recent Maintenance:

* New battery installed September, 2023. (Manual states that batteries can be expected to last about 10 years.)
* Volume and Data sliders cleaned with Deoxit Fader

Tested:

* Midi Input - Working in all modes (Omni, Poly, Multi)
* Voice output - All 8 voices play on both L and R channels
* Filter tuning - All filters tune between 143-156 (Service manual states normal range between 140-160.)
* Memory back-up: Battery at 3.26 voltes, patches retained after long power-off period.
* Sys-Ex: Factory patch dump via SysEx successful.
* Fluorescent display still evenly bright and readable (may not be as 100% bright as when new but still works good)
* Volume slider does not crackle
* Data slider successfully hits full range of numbers
* All front panel buttons
* Front "Compare" LED
* Rom Version 1.00

Not Tested:

* Cartridge functions (I do not have a known-good cartridge to test with)
* Analog Control Voltage / Expression Input"

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Korg 01/W FD - Best Analog & Ambient Sounds Bundle 200 Presets

video upload by LFOstore

"After successful Korg Wavestation & M1 series, we’ve got in our hands a bigger M1's brother - Korg 01/W FD

Soundset is here: https://lfo.sellfy.store/p/korg-01w-f...

01/W FD having more internal waves, more banks & more synthesis & fx treasures inside.

01/W series sounds fantastic, but many of the sounds were overused in years & we didn’t find any modern recreations around the globe.

So we made a challenge to ourselves – made analog style patches with modern vision & also re-create classic ambient sounds.

In this soundset you will find:

Various ambient pads, drones, swells – cosmic, organic, nature, water.
Various bells & plucks – classic, modern, unreal.
Classic analog strings - massive & wide

All the patches are handcrafted & reacts on MW & Aftertouch.

Made by By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation & Alexander Kav, author of series of Waldorf Blofeld Sounds.

Enjoy and may the music come with you!"

Rob Rosen Reveals His Ultimate Synth Collection

video upload by Anthony Marinelli Music

A look inside the Yamaha CS80, the 14th ever made Sequential Prophet-5, a Rev 1, and a Roland Juno-106, touching on some of the evolution of analog synthesis technology over the years.

"I hope you enjoy this rare opportunity to visit with my close friend Rob Rosen for a deep dive into his ultimate vintage synth collection. Together, we’ll see inside some of the rarest synthesizers of all-time and learn from this master technician how synthesizers have evolved, what makes them tick and why synthesizers make such cool sounds!

I consider Rob’s shop @Rosen Sound ground zero for anything relating to synthesizers. It’s also the biggest wonderland of vintage synths in perfect working order that you’ll ever see .

Rob is a self-taught technician and is now the world leader for repair, restoration, custom manufacturing and sales of vintage synthesizers. He’s also quite an accomplished musician programmer and keyboard player as well."

Chapter Time Stamps:
00:00:01 Intro Anthony on the street in Burbank, CA
00:01:55 Entering Inside Rosen Sound
00:02:06 Meeting “P” from Chromeo and The Rosen Sound Team
00:03:06 Rob shows us his personal work space
00:11:42 Montage of Synths - Start
00:12:35 Montage of Synths - End
00:12:36 Anthony and Rob in “The Cabin” - a wonderland of vintage synths
00:13:42 Anthony explains and demonstrates features on the CS-80
00:20:36 CS-80 “Under the Hood” in-depth tour by Rob
00:53:31 Prophet 5 “Under the Hood” in-depth tour by Rob
01:12:50 Anthony Demonstrates some of the Juno 106 sounds
01:19:27 Juno-106 “Under the Hood” in-depth tour by Rob
01:28:54 One-of-a-Kind Oberheim Modular 8 Voice System tour by Rob
01:35:31 Anthony asks Rob 20 Questions about Synthesizers
01:39:09 Rob asks Anthony some Questions about Synthesizers
01:49:47 Bass Shootout: 1973 Moog System 55 VS ARP 2600
01:54:54 Shoot Out Conclusion and Bass Tips

Yamaha Electone EX-1 Mega Rare Vintage Synth/Organ

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

See this post for a demo and overview of one by Mark Jenkins, and this post for some additional info on the EX1 vs. EX42 which was the stage model of of GX1, precurssor to the CS80.

Update: It's not clear how much the EX1 is related to the GX1 and CS80. According to Colin f in the comments of this post, the oscillators are digital. The EX1 was released in 1977, the same year the Synclavier was released, as well the same year Bell Labs Digital Synthesizer was developed. You can find some history on digital synthesis on Wikipedia here. The EX1 is not mentioned. According to Mark Jenkins in the comments of this post, the EX1 is is a preset version of the GX1.


"Comes complete with:
One TX-III matching tone cabinet.
Stool.
Pedal board.
Music stand.
Original Yamaha voltage converter.

The good bits:
In good overall condition with minor marks.
All keys/pedals work.
Tone cabinet works and sounds great.
All the controls apart from the ones listed work perfectly.

The bad bits:
One note on the lower orchestra (synthesizer) section occasionally sticks, not sure what the fault is.
Tremolo function doesn't work - it's probably the belt or motor inside the tone cabinet, I use it connected to an amplifier through its separate out so don't use this function.
Sine wave LFO waveshape on the solo synth not working (other waveshapes work fine).

This is an amazing sounding instrument which can layer different types of analog/digital synthesier and organ tones all at once.
Very hard to find and in very nice cosmetic shape.
Cost £27,000 back in 1977!"

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Meet Bastl's BASIL - Unique Yet Flexible Stereo Space Delay

video upload by Bastl Instruments

"Basil is a compact, yet flexible, digital stereo delay module built on the Bastl Pizza platform. It offers clean delay, as well as lo-fi flavors, and its Space section opens the doors to exploration far beyond simple delay territory. The Basil delay buffer modulates really well, allowing to recreate most classic time-based effects, such as chorus, flanger, vibrato, pitch shifter, reverb, and stereo widener, among others, and navigate between them with just a few performative gestures."

How to Install Basil FW to PIZZA

"This video will show you how to install an alternative FW to your PIZZA.
This way you can demo our new Basil Flexible Stereo Delay."



We are thrilled to showcase our latest innovation, Basil, at Superbooth 2023 (booth 0400). Basil is a flexible delay module that offers endless possibilities for creative exploration. Additionally, we will be displaying our new 4-channel dynamic VCA mixer, Aikido, and 5-channel desktop stereo mixer, Bestie, both of which were released earlier this year. We will be also featuring the new facelift of our best-seller granular sampler, Microgranny Monolith. If you wish to reserve a slot at our booth for filming/interview/chat, please put your name in this table.

Basil is a compact, yet flexible, digital stereo delay module built on the Bastl Pizza HW platform. It offers clean delay, as well as lo-fi flavors, and its Space section opens the doors for exploration far beyond simple delay territory. The Basil delay buffer modulates really well, allowing to recreate most classic time-based effects, such as chorus, flanger, vibrato, pitch shifter, reverb, and stereo widener, among others, and navigate between them with just a few performative gestures. Basil is ideal for clean effects, ambient washes, glitchy sound design, or distorted drones. With its V/Oct input, fine delay tuning, and filter in the feedback path, it can also be effectively used as part of a Karplus-Strong synthesis voice. Even the feedback amount is compensated with the shortest delay times to maintain constant decay characteristics when changing pitch.

To enhance your experience with the product release, we have produced a mesmerizing short film that dives into the themes of time, transformation, feedback and states of consciousness altered via time-based effects. The animation for this film was crafted by Pipe & Pallet, with an accompanying soundtrack by Oliver Torr.

Since Basil is based on the same 8HP HW platform as the Pizza oscillator, owners of either module can easily interchange their firmware using the simple firmware update procedure. We will not be selling extra faceplates, but we will open-source the production and vector files for all the modules based on the Bastl Pizza platform. After some refinement, we plan to open-source both the code and the schematics of the module so that users can hack their own Pizzas.

Basil is available to order now via our B-Shop or our dealer network. Shipping early-mid June 2023

Priced at 267 Eur excl. VAT

More on Basil

Basil delay time features stereo spread and fine-tune components, and can be synchronized to the clock via the Sync jack. The feedback knob has two sides - simple feedback and ping pong mode, where the Left and Right channels cross-feedback.

The Space section brings a variety of flavors to the table! The Blur function provides two ways to diffuse the delay – either directly or in the feedback path, tilting the Basil delay towards the realm of experimental reverb machines. The feedback Filter offers low-pass and high-pass modes that can make the sound brighter or darker. Taps are multi-taps with either odd or even spacing, adding density to your delays and reverbs.

The assignable CTRL knob and CV allow you to modulate any of the many parameters (time, stereo, fine, dry/wet, feedback, speed, freeze, lo-fi, blur, filter, and taps) and tailor the Basil delay to your preferred use.

The Speed section allows for longer delay times by running the buffer at half speed or – in the extended range – at quarter and eighth speeds. This approach creates octave jumps, ensuring the delays remain in tune with your material. It is also great for creating drone layers. Because the sample rate goes very low at lower speeds, Basil brings in a low-pass anti-aliasing filter that removes high frequencies. However, you can also turn the filter off with the LO-FI setting and enjoy some downsampled goodness at lower speeds.

The Freeze function treats the delay buffer as a read-only sample loop that can be layered with the incoming signal. You can sync it and use all the other modifications with it as well.

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Strokes Multi Out Beta with Imaginando VS

video upload by BoBSwanS

"Just a quick test of 5 tracks using the latest beta of Cong Burn 'Strokes' https://www.congburn.co.uk/strokes
Multi outs from Strokes into Ableton, Using Strokes Receiver to pump Midi into VS Visual Synth https://www.imaginando.pt/products/vs..."

STROKES

Sequencer, Sampler, Synthesizer & Groovebox

Runs on Windows 10/11, MacOS 10.11 & iOS 11 (or later)

Supports Intel Macs and runs natively on Apple Silicon

Quickstart guides for Ableton Live, Bitwig, VCV Rack, Cubase, FL Studio & Logic

On iOS, runs as an AUv3 inside a host, or as a standalone application

Strokes is an all-in-one, cross-platform workstation for sequencing, sampling and synthesis.

"Strokes is an amazing device for rhythmic inspiration. Its a lot of fun to play with and can lead to some very cool unexpected patterns and combinations" - Tom Rowlands [Chemical Brothers]

Oberheim OBX8 Custom Patches - NO FX - Just Pure Unadulterated Analog Bliss

video upload by inside synthesis

"I created a bunch of custom patches for the Oberheim OBX8. No processing, just raw sound (with multitracking on the intro and outro song)

Download patches here:

https://drive.google.com/file/d/1pOV2..."

Roland Introduces the SH-4d Desktop Synthesizer

Update: two more user videos (Alex Bell's & Starsky Carr's) added to the user playlist below.

video uploads by RolandChannel

"Lose yourself in a world of sound with the Roland SH-4d Synthesizer, a powerful desktop instrument featuring hands-on workflow and deep synthesis tools for in-the-moment magic. Watch as Detroit techno legend Carl Craig takes the SH-4d for a spin, bringing you on a sonic odyssey and diving headfirst into the unit’s array of sonic capabilities.

What’s inside the SH-4d? Command eleven OSC Models for a diverse range of sound-design possibilities, from vintage analog synths and PCM-based sounds to cutting-edge digital tones. Create custom kits with the rhythm part’s rich tone-shaping capabilities containing 26 unique drum instruments that can each be designed from scratch.

Spur spontaneous musical moments with the multitimbral sequencer, extensive effects, and plenty of polyphony. And with the loaded front panel, dynamic controls, motion recording, and more, you can transform ideas into short loops or complete songs as quickly as your ideas come."

User videos (ordered by shortest videos first - use the player controls to skip around):



Playlist:
Roland SH-4d : First jam - Freaky Tweaky
The Roland SH-4d In a Nutshell - Alex Ball
Roland SH-4d：基本機能・VISUAL ARPEGGIO・D-MOTIONの説明 - Freaky Tweaky
Roland SH-4D 1st Look - Sonic LAB - sonicstate
Roland SH-4d Demo & Review - musictrackjp
ROLAND SH-4d REVIEW // Rolands best synthesizer groovebox yet?! - BoBeats
Roland Synthesizer SH-4d Review // A Synth Groovebox with Vintage Vibes - Starsky Carr
Roland SH-4d Review: The multi-engine synth battle heats up! // Full SH4d tutorial - loopop
Roland SH-4d Mega Tutorial - True Cuckoo

And the press release:

Future Retro Desktop Synth with 11 OSC Models, Pro Sound Design Tools, Hands-On Workflow, and Multitimbral Pattern Sequencer

Los Angeles, CA, February 23, 2023 — Roland announces the SH-4d Synthesizer, a powerful new desktop instrument focused on synthesis and sound design. With 11 OSC Models and a hands-on panel filled with knobs, buttons and sliders, the SH-4d fuels on-the-spot creation and endless sonic discoveries. It also features a multitimbral sequencer with four synth parts and a customizable rhythm part, allowing users to compose intricate patterns with motion recording, extensive effects and more. Equally suited for studio, stage and traveling, the SH-4d is a fun and versatile instrument that will appeal to both modern electronic music creators and synth collectors everywhere.

Fifty years ago, Roland launched its first synthesizer, the groundbreaking SH-1000. The SH name has represented the company’s core synthesizer instruments ever since, merging innovative new technologies with tactile interfaces for quickly designing sounds in the moment. The SH-4d opens the next chapter in the long-running series, offering Roland’s latest analog modeling advancements and a deep-yet-inviting panel that catalyzes creativity and rewards exploration at every turn.

Detroit techno legend Carl Craig was so impressed with the SH-4d that he agreed to be the face of the launch video, delivering a spirited performance featuring new music composed solely on the unit. "That machine is a little monster,” he said after spending just a short time with the SH-4d. “So many options to not only shape sound but to shape the musical composition too."

Eleven OSC Models offer diverse sound-crafting possibilities, from vintage analog tones with SH-4d, SH-3D, Chord, Ring and Sync Models to cutting-edge digital textures with Cross FM, Wavetable and Drawing Models. Influential voices from Roland’s historic past include SH-101 and JUNO-106 Models and a PCM Model with a large selection of sample-based sounds. The SH-4d also features a flexible drum synthesizer with rich tone-shaping capabilities for creating custom kits from scratch.

The SH-4d puts everything creators need for pro sound design at their fingertips, with 32 knobs, four sliders and a massive array of multi-function buttons. The LCD, sliders and buttons automatically reconfigure their functions to follow the selected mode, eliminating menu-dive roadblocks that slow the creative flow. Dedicated Filter, Amp and LFO sections are always ready to shape any tone or pattern. And with the powerful Matrix section, users can create an even wider range of sounds by routing the output of the LFO or envelope generator to parameters in a Model.

Among its many tricks, the SH-4d features built-in motion sensors that allow the user to pick up the synth and adjust sounds with physical movements. D-Motion mode provides X/Y control for two parameters, while the unique Visual Arpeggio shapes note patterns via fun interactive displays.

The SH-4d sequencer is always a button press away, ready to transform sound ideas into compact loops or extended compositions. Up to 60 notes of total polyphony provide ample resources to develop complete musical ideas in the box. There’s also a versatile selection of renowned Roland effects to frost, finesse, rough up or mangle tones and patterns.

The SH-4d runs on a standard USB-C phone charger or AA batteries for up to four hours. There’s a two-plus octave button keyboard for self-contained composition, plus MIDI I/O for use as a sound module and controller in an expanded hardware setup. The SH-4d also functions as a USB-C audio/MIDI interface with 12 discrete audio channels for computer music production.

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Korg X3/X3R - "Hypnosis" (Custom Ambient Sounds)

video upload by LFOstore

"The nineties update to the legendary M1 – Korg X3 is here!
'Hypnosis' soundset turning your X3 synth into complete Ambient Machine.

Buy: https://www.inspireuplift.com/Korg-X3...

It sounds great & non-standard thanks to AI2 synthesis from Korg & modern sound design approach!

"Hypnosis" soundset contains 100 Presets ready to go in your track.

*Big & wide Strings
*Complex Pads
*Drones
*Plucks
*Spheres
*Re-creation of classic sounds
*Unusual polyphonic sounds

Whatever it is: Ambient, Original Sound Track, Electornica – you will find interesting timbres here!

Instructions for installation are inside, as well as original sounds.
All presets are Aftertouch & MW sensitive.

Made by Nick Klimenko aka Chronos, a creator of “Organica” for Waldorf Blofeld & “WS Universe” for Korg Wavestation

Enjoy & re-discover X-series!"